Abstract

Iris Murdoch situates imagination at the core of moral life, challenging moral philosophy’s preference for abstract universal principles over the particularity of lived experience. This paper reconstructs Murdoch’s concept of imagination by tracing her engagement with Plato’s distinction between eikasia and the Demiurge’s ‘high’ imagination, as well as Kant’s notions of empirical and esthetic imagination. I argue that Murdoch’s imagination is best understood as a hermeneutical capacity essential to moral vision. She distinguishes between egoistic fantasy, which distorts reality, and free and creative imagination, which enables a just and loving gaze upon the world. Through imagination, we can replace obscuring images with truer ones, making moral progress an exercise in vision and attention. Murdoch’s account thus offers an alternative to moral theories that overlook the inner life as a site of ethical transformation.